March 22nd, 2007
Jurassic Five - “six individuals who aren’t afraid to be themselves� - call it a day
Am very disappointed to hear that legendary hip hop crew Jurassic Five have decided to call it a day.
When I first heard ‘Concrete Schoolyard’ (video above) in 1998, it seemed to herald a completely fresh angle for hip hop. The track, and the album it came from, became one of my most played at parties, as did ‘Jurass Finish First’ from its successor, Quality Control. After nearly 15 years together, the group have decided to split and are citing that creative bugbear “musical differences” as the reason. Rumour says it’s due to one of the members wanting to go solo (my money is on baritone-rapper Chali 2na).
After a decade and a half, hopefully the split will spawn some interesting solo projects and collaborative work.
Here’s a short interview from the summer of 2001 that I did with Mark 7even:
Jurassic 5 Interview (June 2001)
Ignore the numerical implications of the name . these boys are six in total, and their pre-historic connections are unclear (except that they’re fans of old skool breaks). While hip-hop runs the gamut of misogyny and wallet-flexing, J5 are more interested in performing musical miracles and praising Allah than booty videos and low-riders. Citing Black Star and the De La Soul amongst their influences, the West coast composers have blended hip-hop beats, lyrical street poetry and kernels of jazz to generate an inventive, infectious combination.
The band were originally part of two rival hip-hop/rap crews in Los Angeles but it wasn’t long before they discovered their common musicality and mutual respect for each other. “I was part of a crew with Chali 2na and Cut Chemist called The Unity Committee, we used to hang out at The Good Life (LA underground venue). One night we played, as did The Rebels of Rhythm (Zaakir, Akil and Nu Mark) and we really liked each other’s style. We had this song and they came around, did some rhythm on it and it turned into ‘Unified Rebelution’. It really took off so we just thought ‘Hey why don’t we all form a group?’ So that’s how it all started really.â€? Both crews . tired of major label apathy - decided to bring out their own record. It was recorded at Cut Chemist’s house and the absence of capital made mastering the most expensive part a process Mark 7even says ‘wasn’t difficult at all’. After the success of this debut, the band were signed to Interscope. The result was an eponymously-titled 8-track EP containing anthems like ‘Jayou’ and ‘Concrete Schoolyard’ that would bring them critical respect and mass appeal.
It could be said that a hip-hop group with four MCs sets itself up for accusations of ‘too many cooks’, a charge Mark 7even refutes. “I think having four MCs is an advantage because you’ve got more ideas, more ways of doing things. When it comes to writing songs, I might come up with some opening stuff and Akil will come up with the chorus, so it’s quite democraticâ€?. Their brand of lyrical malaria is split between penned lyrics and off-the-cuff free-styling when it comes to laying down cuts in the studio. “Sometimes we won’t write a song until we get to there which is what we did with the new album. We write a LOT anyway, but there’s always room for adlib.â€? Lest the MC’s relegate the two DJS . Cut Chemist and Nu-Mark . to the back of the stage, the beat juggernauts exert enough influence over the set-up not to remain downstage. Harking back to DJ innovators like Grandmaster Flash and Africa Bambaata, they construct a platform for the MC quartet to spill their rhymes all over.
Lyrically the group has a very strong spiritual and social agenda. Proud of their faith, they talk about issues affecting black America with conscionable ardour without diluting the message. That said, they’re no Holy Joes and Quality Control (their last album) carries a Parental Advisory sticker. They can represent musically with hip-hop’s elite without negativity or marginalisation. Without this agenda, Mark 7even reckons they wouldn’t do what they do. “It’s definitely a big part of what we’re about. When it comes to making music, we include that side of things but you have to remember that people want to party too! So you have to find a medium, which I think we do and a lot of mainstream hip-hop has forgotten about the issues in favour of the party vibe.â€? Asked about Jurassic 5’s appeal, Mark 7even modestly puts it down to “six individuals who aren’t afraid to be themselvesâ€?.
So when can Dublin audiences expect next Wednesday? “Well we don’t enjoy using Dats and sequencers. If you come for a live show, you should get a live show. So expect a full-show, expect a lot of energy, and expect to be entertained.â€?
Links:
Jurassic 5
March 23rd, 2007 at 9:22 am
Concrete Schoolyard is the shizzle - a mate of mine turned me on to these guys and they seemed to be doing something that no one else was. Have to say I was disappointed with Power in Numbers though. got bored fast with it.
March 23rd, 2007 at 11:12 am
Sinéad, It’s definitely unfortunate, but I can’t help but feel it was DEFINITELY the right choice. Despite their explosive live shows, the “quality control” (ha!) of their recent output was staggering in its dip. Cut Chemist leaving was the death bell.
Chali 2na at the very least has already proven himself outside J5. And for the record, I loved Power in Numbers. Feedback however was horrible..
March 23rd, 2007 at 11:12 am
Awww, that’s sad news. I love Jurassic 5.
March 24th, 2007 at 6:28 am
ah the J5 were great, and concrete schoolyard is amazing but they did seem very tired the last few years, so maybe it’s for the best.
March 25th, 2007 at 9:49 am
Yep, it’s for the best, just sad when an act eventually knocks it on the head. Still it’s better to draw a line under things than just fade away I suppose. And given the current frenzy of band reunions, they’ll be back in no time.
March 27th, 2007 at 11:18 am
their original ‘jayou’ EP is astonishing but it’s hard to reconcile the brillance of that with the mediocrity of their recent work
i remember seeing them in vicar st. last year and although the crowd seemed to lap it up, i wasn’t convinced
there was too much trying to cajole the crowd with the over and back ‘daaaawww-bllinnnnn, daaaawww-bllinnn’ chanting
but not enough real musical substance
they looked like a band coming near the end of their lifespan so can’t say i’m all that surprised